Synopsis:
A rising star of Europe’s music scene and niece of Gustav Mahler, Alma Rosé is imprisoned at Auschwitz, where she leads a women’s orchestra performing for their captors to survive. Her music becomes a lifeline, saving over fifty lives though not her own. Told through survivors’ voices, descendants, and a seamless blend of animation and archival imagery, Alma Rosé is a haunting meditation on beauty and terror, courage and sacrifice, memory and survival.
DIRECTOR’S NOTE
We begin before the darkness.
In Vienna, we meet Alma as a child — gifted, fierce, luminous. We follow her ascent as a brilliant violinist in a city alive with culture and promise. We feel the pulse of prewar Europe, the elegance of concert halls, the discipline of practice rooms. Then the rupture. The annexation. Exile. Flight across a continent closing in on itself. Arrest in France. The world that shapes her collapses — and yet, something within her remains unbroken.
The story is carried forward by a search with Sivanne and Dafne.
At the center of the film lies a single, harrowing year: Auschwitz, 1943–1944.
No moving images of Alma survive. But she will move again.
French animator Nicolas Lichtlé reanimates her presence through collage animation — In one moment, we are in Auschwitz, 1943. Alma steps from the practice room in the music block. She opens a door — and through it enter Sivanne and Dafne from the present day.
Past and present converge.
Inspired by the words of Leonard Cohen.
- Francine Zuckerman, Director
Dance Me to the End of Love
By Leonard Cohen
“Dance me to your beauty with a burning violin
Dance me through the panic till I'm gathered safely in
Lift me like an olive branch and be my homeward dove
Dance me to the end of love
Dance me to the end of love”
VIDEO TEASER
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“Music takes you out into a different sphere. You get away from your horrible realities…You could lose yourself in music. Untouchable.”
- Anita Lasker Wallfisch, Survivor of Alma Rosé’s Auschwitz Women’s Orchestra
Team: